Dimensions: height 236 mm, width 180 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have "Monnik met gesel voor het beeld van Antonius van Padua," or "Monk with a whip before the statue of Anthony of Padua," an engraving by Jacob Gole from 1724. There’s a...definite tension to this piece! It almost feels theatrical, doesn’t it? What do you see when you look at this work? Curator: It does have that baroque flair, a certain drama! The tension you mentioned, that push and pull, is palpable. What strikes me is the raw emotion – or perhaps, performed emotion – of the monk, juxtaposed against the stoic, almost diminutive, statue of Saint Anthony. I wonder what drove Gole to capture this intense, perhaps self-flagellating, moment? And what's with those little whisps of smoke or breath escaping his lips? It reminds me of some of the street theatre I caught in Rome – deeply personal expression taken to an extreme. Editor: The “performed emotion” – that’s interesting! So you think this might be performative piety rather than genuine religious fervor? Curator: It certainly gives one pause. Look at the way he theatrically raises the whip, like he is about to bring down thunder. Gole leaves us wondering if the monk's actions stem from genuine faith, guilt, or some warped sense of public spectacle. Does his remorse feel authentic to you, or forced? Editor: Now that you mention it, there's something about the way he’s posed that feels...off. Exaggerated, maybe? The statue looks so serene, while the monk is almost comical in his… histrionics! What did you find most insightful about Gole's composition, and does that offer insights on potential meaning? Curator: You know, his composition almost invites us to smirk at this supposedly pious display! Jacob Gole turns his engraving into something very intriguing indeed... A tiny man before a large engraving and an even tinier Saint, all brought to question together. It might not be everyone's cup of tea but the meaning is certainly there, just ready for us to sip on and wonder at. Editor: This piece is like an onion. I don’t particularly like onions, but after further examination, the rewards were very, very juicy.
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