Vois le cours de la bourse by Honoré Daumier

Vois le cours de la bourse c. 19th century

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lithograph, print

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lithograph

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print

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caricature

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romanticism

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comic

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genre-painting

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realism

Copyright: National Gallery of Art: CC0 1.0

Editor: This is "Vois le cours de la bourse," or "See the Stock Market Report," a lithograph print by Honoré Daumier, from around the 19th century. It features two men intensely reading a newspaper, but their exaggerated features make it almost comical. What do you see in this piece? Curator: The power of caricature lies in amplifying inherent cultural anxieties and class dynamics, which is potent in this piece. The men’s anxious expressions, juxtaposed with the relaxed setting of presumably a cafe with drinks, speaks volumes. How do their faces and bodies reflect their supposed social roles, and the perceived stakes of their financial concerns? Editor: I guess I see some class tension in their clothes and the fact that they seem to be following the stock market so closely. The man in the hat seems calmer, perhaps he has more to gain? Curator: The hat indeed marks social positioning, but observe the newspaper they both clutch – it's the symbolic nexus of their concerns. Do you think the artist used that to critique or simply represent bourgeois anxieties about their aspirations and social standings in the Second Empire? The "barometer," as the text mentions, functions as a metaphor. Editor: It feels like both, really. Daumier is showing us something very real about their lives, but also poking fun at them a bit. The constant search for rising values and social validation... it feels very relevant. Curator: Exactly! Daumier cleverly uses the mundane activity of reading the newspaper to tap into much larger, enduring themes. It makes me wonder, how will contemporary artists interpret our obsessions in years to come? Editor: That's a great question. It makes you think about what symbols from our time would have the same resonance. Curator: This brief look has enriched my view by emphasizing that symbols of daily life can embody the most significant societal obsessions. Editor: Absolutely, seeing that interplay between the immediate and the grand has definitely deepened my understanding.

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