Portret van Cosimo I de’ Medici by Anonymous

Portret van Cosimo I de’ Medici 1548

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pencil drawn

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photo of handprinted image

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aged paper

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toned paper

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light pencil work

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photo restoration

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pencil sketch

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old engraving style

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pencil drawing

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pencil work

Dimensions: height 350 mm, width 228 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a portrait of Cosimo I de’ Medici, created in 1548. The artist is unknown and it's currently held at the Rijksmuseum. It has a striking simplicity; it looks like an engraving on aged paper. What can you tell me about it? Curator: The austerity you observe is critical. Consider the historical context: Cosimo I de' Medici consolidated power in Florence during a period of immense social and political upheaval. This image, whether intentionally or not, reinforces his authority through its references to Roman Imperial portraiture, particularly in the sculpted bust and drapery. Editor: So, you’re saying that this portrait connects Cosimo to ideas of Roman power? Curator: Precisely. It uses visual cues to create an association with a legacy of leadership, a familiar trope through the ages to legitimise rule. Who controlled the narrative, and how did representations solidify these power dynamics? The deliberate echoing of Roman authority subtly asserts Cosimo’s dominance in Florence and beyond, especially considering the changing societal structure during this time. It forces us to ask how images play a role in perpetuating authority figures, their standing within culture, and their role in political systems? Editor: That makes a lot of sense. The style isn't just aesthetic, it's a tool to convey a very specific message. Curator: Exactly. Even the anonymity of the artist speaks volumes; perhaps control over the image was deemed more crucial than individual recognition. How can we read silences and omissions? What does this tell us about who held power, and who was written out of these histories? Editor: I never thought about it that way, but you’ve really illuminated the power dynamics at play in this portrait. I have to consider the perspective of the powerless here too. Thank you for pointing it all out!

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