H. Simon c. 1596 - 1652

Editor: This engraving, "H. Simon," by Zacharias Dolendo, dated somewhere between 1596 and 1652, depicts Saint Simon, engrossed in study. It feels incredibly intimate and focused. How do you interpret this work? Curator: What strikes me is how this image participates in the construction of the 'apostle' figure. Who was represented, how, and why? These were all tools of power and faith during the Counter-Reformation. The image emphasizes learning and devotion, positioning Simon as a scholar. But look at the musculature. What does that choice say about the desired masculine identity presented to worshippers? Editor: So, you're suggesting it's more than just a portrait? It’s making a statement about ideal Christian masculinity? Curator: Precisely. Consider the political and religious backdrop. The Catholic Church was fighting against the rise of Protestantism. Images of scholarly, physically imposing saints like this were strategically deployed to reinforce Catholic authority. Who was included, who was omitted, what virtues were being presented... this portrait of Saint Simon must be understood as a construction intended to send a message about what power looked like at the time. Editor: That’s fascinating! I hadn't considered the power dynamics embedded within it. Curator: Think about it: Whose stories get told? Whose images get circulated? These are never neutral choices. Editor: It really makes you think about the stories behind the image itself. Curator: And how that story reflects and reinforces societal structures. The image invites us to look closer, to see beyond the surface.