Drie geiten 1631 - 1733

This drawing presents three goats rendered with graphite on paper, inviting a study in texture and form. The composition, framed within a rectangle, uses the contrast between light and shadow to articulate the goats' shaggy coats and angular bodies. Observe how the artist employs hatching and cross-hatching to build depth, giving the animals a tangible presence on the page. The layering of strokes not only models form, but also enlivens the surface, transforming the materiality of the paper into a field of visual interest. The semiotic structure of this drawing offers insight into how we perceive and interpret animal representation in art. Through its structured arrangement of lines, the drawing subtly challenges fixed notions of pastoral imagery, prompting a broader dialogue about nature, representation, and artistic construction.