Vooraanzicht van de kerk en het klooster van San Lorenzo 1583 - 1587

In the late 16th or early 17th century, Pieter Perret rendered this meticulous drawing of the church and monastery of San Lorenzo in pen and ink. It's a highly rationalized, architectural view, emphasizing the building's facade and internal structure through precise lines and calculated proportions. The drawing reflects the values of the era, prioritizing order, symmetry, and technical skill. The church and monastery, known as El Escorial, was built by Phillip II of Spain. Its construction involved the labor of numerous artisans and workers. This drawing gives us a way to consider the relationship between design, labor, and power in the making of monumental architecture. Perret’s rendering isn't just a visual document. It is also a testament to the social and economic forces that shaped the built environment. Ultimately, this drawing encourages us to recognize the convergence of design, labor, and cultural significance inherent in every artistic endeavor, challenging traditional distinctions between high art and craft.