The dresses of flas-flas, see, Sandrine, it's always the same who busy themsleves dressing and the same who wash them with soap. --because men are fools c. 19th century

Editor: This is Paul Gavarni’s lithograph, "The dresses of flas-flas, see, Sandrine, it's always the same who busy themsleves dressing and the same who wash them with soap. --because men are fools," now at the Harvard Art Museums. It seems to capture a very specific social dynamic. What's your read on the societal context here? Curator: Gavarni was known for his social commentary. The print's title and image suggest a critique of gender roles within 19th-century French society. How does the artist use the image to portray those roles? Editor: I notice the woman being dressed looks rather disaffected, while the other is perhaps a servant? The title also suggests this critique. Curator: Precisely. Gavarni highlights the labor disparity and social inequality prevalent at the time. Consider how art institutions today play a role in either perpetuating or challenging these narratives. Editor: That's a great point. It's fascinating how art can act as both a mirror and a critique of society. Curator: Indeed. And recognizing that duality helps us understand both the art and the world it reflects.