Dimensions: Sheet: 4 3/16 × 2 1/2 in. (10.7 × 6.4 cm)
Copyright: Public Domain
Curator: Here we have a curious piece from 1888. It's a promotional card issued by W. Duke, Sons & Co. for their "Honest Long Cut" tobacco, featuring General Henry W. Halleck. The card uses colored pencils and watercolor print. Editor: It strikes me as a rather unsettling juxtaposition—a military portrait alongside what appears to be a battlefield scene, all packaged as a promotion for tobacco. There's a tension between respectability and a gritty reality. Curator: Absolutely. Note the choices made for mass production and mass appeal; it seems to trivialize war. This tension speaks volumes about the post-Civil War landscape and how such events were consumed and marketed. Editor: The symbolism feels potent. Halleck, in his formal uniform, represents order and authority. Yet below, there's violence. A soldier stands guard over a fallen comrade. It's a stark reminder of the cost of that order, a visual memento mori lurking beneath the advertisement. Curator: And the act of smoking or chewing tobacco might have been associated with these idealized portraits in this context: images that gave some illusion of familiarity for consumers who enjoyed reading stories in newspapers about war heros like Halleck. Editor: It really asks you to consider the intent behind it all: what is the intention? Who is this imagery intended for? I also wonder if the war imagery has roots in earlier symbolism like vanitas, which remind us of human suffering. Curator: And by that logic, what message does it create for new customers about that suffering? Cigarettes will always be associated with leisure. Editor: It highlights how objects, even seemingly disposable ones like trade cards, become carriers of complex cultural meaning. Thank you. Curator: It serves as a reminder of how capitalist structures inevitably intersect with expressions of grief and war heros.
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