Twee putti in de wolken met een medaillon, de wereldbol en een boek by Reinier Vinkeles

Twee putti in de wolken met een medaillon, de wereldbol en een boek 1766

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Dimensions: height 67 mm, width 152 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a print by Reinier Vinkeles from 1766, housed at the Rijksmuseum. It's an engraving titled "Two putti in the clouds with a medallion, the globe, and a book." It strikes me as very dreamlike; putti floating on clouds with allegorical objects. How do you interpret this work? Curator: Dreamlike is a good way to describe the Baroque aesthetic, often employed to convey complex ideological messages. What strikes me is how this idealized scene normalizes a worldview where artistic and scientific knowledge, symbolized by the book and globe respectively, are elevated and protected—literally floating above earthly concerns. Notice how one putto leans wearily on the medallion; could that symbolize the burden of upholding institutional power? Editor: That's a great point. I hadn't thought of it as a critique of institutions. Curator: Well, the “Temple des Arts” written on the book’s cover reinforces that interpretation. Consider, too, the colonial implications inherent in depicting a globe passively held by a cherubic figure. What histories might be obscured by such a romantic vision of knowledge and artistry? Editor: So, it's not just a pretty picture, but also a statement about the power structures of the time. The globe, for instance, isn't just an object; it represents European dominance and perhaps the exploitation of other cultures. Curator: Exactly. And by framing these concepts within the allegorical scene, it naturalizes the societal hierarchy and perhaps subtly invites the viewer to either engage in or blindly accept that position. How do we reckon with art that simultaneously delights aesthetically but upholds questionable power dynamics? Editor: It’s a lot to consider; seeing this print now has made me think more about the politics inherent in displaying what appears to be ‘pure’ art or knowledge. Curator: Indeed. Questioning whose perspectives are validated by these artworks and historical narratives is something crucial that you will carry forward.

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