Saints Susanna, Marianna, and Palladia c. 17th century

Curator: Jacques Callot, around the turn of the 17th century, etched "Saints Susanna, Marianna, and Palladia." It’s a tiny work, just 7.6 by 4.9 centimeters, but the detail is striking. Editor: It has an ethereal quality despite the rigidity of the medium. The figures, especially with those palm fronds, appear almost as if they're floating, detached from the earthly plane. Curator: Palm fronds are, of course, ancient symbols of victory, triumph, and eternal life, often associated with martyrs, signaling the saints' spiritual victory over earthly trials. Editor: Yes, and consider the stark contrast, how Callot uses line to create volume and shadow. The figures possess a striking monumentality despite the print's actual size. Curator: These saints, celebrated on May 24th, reflect a cultural memory of female strength and piety, their stories resonating across generations. Editor: Indeed. The oval composition almost feels like a window, inviting us to look in and contemplate the essence of their virtues, captured with simple lines and strong contrast. Curator: Looking at it now, I am struck by the enduring power of symbols to convey complex narratives. Editor: And the ability of the formal elements to draw us into those narratives, regardless of their specific symbolic content.