Two Mallards near a Snow-Covered Lotus, 1925 - 1936

Ohara Koson created this print of two mallards near a snow-covered lotus in Japan using woodblock printing, a technique known as *ukiyo-e*. The flat planes of color and crisp outlines are so typical of this method because each color requires a separate block, carved and printed individually. Look closely, and you can see the subtle variations in tone and texture achieved through this labor-intensive process. Originally, *ukiyo-e* prints were relatively inexpensive, purchased by the burgeoning middle class. However, the incredible amount of skill needed to carve the blocks and apply the colors elevated these works from simple commodities to high art. The success of the print relies on the precision of the artisans, the expertise of the printer, and the vision of the artist who brings together careful observation and stylized aesthetics. This collaborative effort underscores the value of skilled labor, blurring the lines between art, craft, and industry.