Dimensions: support: 711 x 914 mm frame: 1100 x 1310 x 165 mm
Copyright: © Tate | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Frances Hodgkins' work, "Wings over Water," presents a fascinating interplay of still life and landscape elements. Editor: It's a rather peculiar composition, isn't it? The shells dominate the foreground, almost obscuring the coastal scene beyond. Curator: Indeed, Hodgkins uses a restricted palette to flatten the pictorial space, inviting us to examine the formal relationships between objects. Notice how the curves of the shells echo the forms of the distant hills. Editor: I am also struck by how Hodgkins, as a woman artist travelling in Europe, chose to depict domestic interiors juxtaposed against the exoticism of the natural world. There seems to be a dialogue about belonging and displacement occurring here. Curator: A valid point. Perhaps that duality speaks to a deeper, more universal tension. Editor: Absolutely. This piece makes one ponder the subjective experiences of the artist herself. Curator: Yes, through its very structure, this oil on canvas offers a compelling visual statement. Editor: It's been interesting viewing Hodgkins' artwork from these perspectives.
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http://www.tate.org.uk/art/artworks/hodgkins-wings-over-water-n06237
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Frances Hodgkins was born in New Zealand and first came to Europe in 1901. She taught in Paris between 1910 and 1912 and settled in England in 1914. She was a close friend of Cedric Morris and Lett Haines, the former proposing her membership of the Seven and Five in 1929. 'Wings over Water' is typical of Seven and Five artists in its depiction of a table-top still life set before a window. It was painted in the artist's studio in Hampstead, an area of North London much favoured by avant-garde British artists at the time, and evokes memories of Cornwall where she had settled in 1914. Gallery label, August 2004