Schön newes Modelbuch (Page 49r) 1608

Editor: We're looking at a page from *Schön newes Modelbuch* created in 1608 by Sigismundus Latomus. It’s a woodcut print and the sharp contrast between the black ink and the paper is really striking. There's so much detail packed into such a small space, it's amazing! What stands out to you most in terms of its formal qualities? Curator: Indeed, the rigorous play of positive and negative space commands our immediate attention. Consider the black field; it operates not merely as background but actively shapes the figures within their respective frames. Note the symmetry present across the composition, how each panel leverages repeated motifs— scrolls, florals, winged creatures— to create visual harmony. Do you observe how this symmetry might also introduce a certain rigidity? Editor: Yes, now that you mention it, the symmetry almost feels…static. It's beautiful, but it lacks a certain dynamism, perhaps? I also notice the figures within the frames. Are they positioned to lead our eye through the work in a specific way? Curator: Precisely. Each figure’s pose and attributes guide the viewer’s eye. Observe the figure on the left holding what appears to be an orb or fruit; its gesture opens towards the center. The central figure’s posture seems confrontational as if asserting space and control. We can read the contrast and how it dictates a kind of balance. Do you think that contrast is heightened because we're looking at nudes? Editor: It definitely adds to it, given their placement within such ornate, controlled borders. Seeing them alongside the figures beside them suggests their relationship must have some purpose within the context of the book. Thank you for pointing out all those structural details, I see the page with new eyes! Curator: My pleasure. It’s in close observation of these formal elements that the deeper registers of meaning become accessible. Considering the formal relationships lets us pose critical questions regarding intent and construction.