Stoel van beukenhout met gecanneleerde poten en met snijwerk, bekleed met blauwgroen laken met op de rug een geborduurd wapenschild met Hollandse leeuw, kroon en spreuk c. 1773 - 1815

This chair, made of beechwood and fabric, was crafted by Adam Struys. The chair's frame is beechwood, a material prized for its strength and fine grain, perfect for carving. The fluted legs and intricate carvings showcase the skill of the maker. The wood has a warm, inviting tone, achieved through careful staining and polishing. The seat and back are upholstered in blue-green cloth, providing a tactile and visual contrast to the wood. Notice the embroidered coat of arms, with the Dutch lion, crown, and motto, a potent symbol of status. The creation of this chair involved a complex interplay of labor. Woodworkers would have carefully shaped the frame, while others upholstered and embroidered the fabric. Chairs such as this one illustrate how craft and design intersect with social hierarchy. By appreciating the materials, the making process, and the chair's cultural context, we move beyond conventional notions of fine art.