Old blind woman 1899

Paula Modersohn-Becker made this painting of an old blind woman using tempera on paper. Tempera is one of the oldest painting mediums, involving the use of pigments bound in water-soluble emulsion. With its earthy tones and matte surface, the tempera imbues this work with a sense of immediacy. The artist's hand is clearly visible in the application of the paint. Modersohn-Becker used a limited palette of ochre, brown, and black, drawing attention to the textures and tones of the woman's skin and clothing. The marks give the portrait an almost sculptural quality, echoing the dignity of the sitter. The painting's raw, unrefined finish speaks to Modersohn-Becker’s interest in portraying everyday people with a deep respect for their lived experiences. The lack of pretension or artifice in the making of the painting puts it in line with the artist's broader interest in challenging conventions. It underscores the point that art can come from anywhere.