Shawl (Llklla) 1950 - 1960

Editor: Here we have a mixed media textile called "Shawl (Llklla)," created sometime between 1950 and 1960. It’s anonymous and looks to be made primarily of wool. The dominant color is a dark reddish-brown, accented by vertical stripes in vibrant colors. It strikes me as both simple and deeply intricate. What’s your take on this piece? Curator: Well, first off, isn't it fabulous how something so functional can be elevated to such a level of art? It’s calling out to be draped! This particular piece speaks to me of connection. Weaving is inherently about interlacing threads, different strands coming together to create something new, something stronger. The anonymous nature really magnifies it too. Do you think that it represents something beyond individual expression? Editor: Absolutely, especially given its likely cultural use. Maybe the geometric patterns and vibrant colors have a story of their own beyond the weaver’s personal vision? Curator: Exactly! I like to imagine the hands that crafted it, the community it served, the stories it silently witnessed. It is like finding yourself at a bustling market somewhere, lost in a colorful dream. Maybe even a grandmother telling her grandchildren ancient stories with it over her shoulders...Does the weaving remind you of a particular story or anything similar? Editor: The geometric pattern almost has a language of its own! I can’t pinpoint one story, but the idea of hidden messages woven into the design definitely sparks my imagination. Curator: It’s really fantastic how this piece prompts these questions! I think I might start trying to incorporate weaving into my paintings, which is such an amazing thought! Thank you for making this fun, lively, and informative! Editor: I know, right?! Getting a closer look has given me a completely different perspective on fiber art, too! This was cool.