Gezicht op de Hoofdwacht in Leeuwarden by Rooswinkel & Co

Gezicht op de Hoofdwacht in Leeuwarden 1870

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photography, albumen-print

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photography

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cityscape

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albumen-print

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building

Dimensions: height 82 mm, width 51 mm

Copyright: Rijks Museum: Open Domain

Curator: This albumen print, taken around 1870, presents the Hoofdwacht in Leeuwarden. It's attributed to Rooswinkel & Co. The stillness is almost eerie. Editor: There's a muted quality that makes me feel a bit nostalgic. It reminds me of old postcards, you know, ghosts of memories in sepia tones. Curator: The architecture certainly lends itself to that feeling. Look at those arches, almost Roman in their design, offering a sense of permanence, yet the scene itself is transient. It suggests civic pride but somehow feels melancholic to me. Editor: I agree; there's a fascinating mix of strength and something like forgotten grandeur here. Arches and pillars as repeated motifs usually hint to some portal and, if repeated serially like this, invoke a strong sense of expectation and movement. But look closely—people seem oddly static here, just frozen waiting for their picture to be taken, undercutting the rhythm. What’s with that? Curator: It's a dance with the medium. Long exposure times for this type of photography would make movement difficult to capture without blurring, turning ordinary activity into stillness by necessity, so the result could feel stage-managed even when it's not! Maybe waiting wasn't so odd, perhaps an advantage: in a fleeting world they wanted something tangible, something rooted. The albumen process yields incredible detail too. Editor: Ah, you are right! Look how Rooswinkel captured every detail—from the cobblestones to the window frames, immortalizing such quiet human moments on display along the Hoofdwacht—reminding people that civic pride comes from below and from everyday folk waiting, suspended in time, but present nonetheless! That detail adds a fascinating layer, like reading an untold history within the photograph itself. Curator: It definitely has a storytelling quality. And it makes me wonder, what kind of stories did those frozen figures have to tell, if they could whisper from the frame? I love finding new facets in such silent, eloquent testimonies from times so past.

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