Cup with two birds in a landscape, foliate scrolls and garlands by Faubourg St. Denis

Cup with two birds in a landscape, foliate scrolls and garlands c. 1790 - 1800

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studio photography

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product photograph merchandise

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advertising product shot

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product studio photography

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product promotion photography

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product fashion photography

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lifestyle product photography

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round design

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retro 'vintage design

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retail photography

Dimensions: height 6.1 cm, diameter 6.4 cm, width 8.7 cm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a delightful object: a cup, likely porcelain, dating from around 1790 to 1800. The inscription tells us it's decorated with two birds amidst a landscape of foliate scrolls and garlands. Editor: My initial impression is one of delicate refinement. It feels like holding a moment of pastoral leisure, frozen in ceramic form. The symmetry and the precision of the brushstrokes suggest a controlled, almost idealized, view of nature. Curator: Exactly. Notice how the circular form of the cup is echoed in the scrolling motifs and garland arrangements. This repetition lends a sense of visual harmony. Furthermore, the sharp gilding on the rims and handle create a visual boundary for these natural forms. Editor: But whose leisure was this meant to enhance? These highly decorated objects were luxury items. Its purpose may be to uphold societal ideals of wealth and status. Curator: I appreciate you bringing that up, the placement of these organic motifs feel decorative but ultimately, there is some emptiness because there is no story to tell or moment to capture between the birds and vegetation, but rather forms to decorate for display and leisure purposes. Editor: Do the birds symbolize freedom or, trapped within the constraints of aristocratic taste, an escape from some constraints of a bygone social structure. Curator: A compelling interpretation. It encourages me to note again how its patterns are all very contained but maybe, not limited. The possibility that they echo through centuries connects us to that very freedom they display through material form and artistic merit. Editor: Well said! Seeing this work from both our perspectives gives us new angles to assess and digest such pieces!

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