Koning Willem III in Den Haag, 1874 1874

Frédéric Théodore Lix made this print titled ‘Koning Willem III in Den Haag’ in 1874. The relatively inexpensive process of printmaking allowed images like this to circulate widely, shaping public perception of the monarchy. Here, Lix has used the technique of engraving to create two contrasting scenes. On the left, we see the King's arrival in The Hague under heavy rain. The meticulous lines create a somber, almost oppressive atmosphere, emphasizing the King's separation from the crowd. The right side offers a brighter image, depicting the city illuminated in celebration. The concentration of tiny marks conveys the excitement and collective identity of the crowd gathered. Printmaking, as a medium, is inherently tied to social dynamics, particularly labor and class. It requires skilled artisans to translate an image into a reproducible form, making art accessible to a broader audience. By understanding the materials, making, and context, we appreciate how art like this played a vital role in shaping social and political life.