St Roch by Anonymous

St Roch 16th century

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drawing, charcoal

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portrait

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drawing

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medieval

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charcoal drawing

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charcoal

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charcoal

Dimensions: 276 mm (height) x 155 mm (width) (bladmaal)

Curator: Here we have a 16th-century charcoal drawing, "St Roch," part of the collection at the SMK, Statens Museum for Kunst. The artist is, alas, anonymous. Editor: Ah, yes, melancholy immediately strikes me. There's a softness to the charcoal that imbues him with a quiet resignation. Is he displaying the plague sore on his thigh, that dark blemish? Curator: Indeed. Roch, of course, is known as the saint of plague sufferers. Consider how the unknown artist has chosen to depict the figure’s stance—a contrapposto, subtly leaning on the staff—revealing a profound engagement with classical ideals, while simultaneously showcasing a visible sign of his suffering. Editor: I'm taken by his eyes. They tell of hardship, perhaps a weariness with miracles or the desperate pleas of humanity? Curator: The use of chiaroscuro enhances that reading. Notice how the artist skillfully manipulates light and shadow to create depth, particularly in the folds of his cloak and the rendering of his face. It underscores the contrast between his divine purpose and human frailty. Editor: Frailty, absolutely. The entire composition feels restrained, held in check by the grey paper. Yet, this adds an unusual sense of intimacy. It's like stumbling upon a private moment. He seems caught between saint and ordinary man, revealing a wound and enduring an unfair fate. Curator: The linear precision of the drawing—the meticulous detail in the boots, for instance—demonstrates a keen observation. However, it is tempered with the soft blending of charcoal to create atmosphere, softening what could have been merely a medical or anatomical study. Editor: It avoids being purely clinical because the heart seems to lead the eye in this composition. It lingers over the brow, that almost shy reveal of the wound. Thanks, I found the dialogue between form and raw feeling rather wonderful. Curator: Agreed. It is a fine example of a medieval portrait captured in a singular moment, reminding us of the intertwined realities of suffering, faith, and artistic expression.

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