Uitvindingen by Jan Schuitemaker

Uitvindingen 1850

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print, engraving

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dutch-golden-age

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print

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old engraving style

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landscape

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genre-painting

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northern-renaissance

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engraving

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historical font

Dimensions: height 425 mm, width 336 mm

Copyright: Rijks Museum: Open Domain

Curator: Uitvindingen, or Inventions, created in 1850 by Jan Schuitemaker, a Dutch printmaker. It seems to be a page from a magazine, showcasing different technologies. There's a real instructional quality to it, like a catalog of progress. What stands out to you? Editor: I'm struck by the way it merges art and technology. Each scene depicts a specific invention, like the "Slangbrandspuit"—some kind of fire hose, I think! But how do we reconcile the functional purpose of these images with their artistic execution? What story does it tell, viewed through the lens of its materials and production? Curator: Excellent question. Consider the engraving process itself: the meticulous labor involved in transferring these scenes onto a metal plate. These prints democratized information. Unlike unique paintings accessible only to the wealthy, engravings allowed for mass production, making knowledge about these inventions available to a wider audience. Does this change how we perceive the inventions themselves? Editor: Absolutely! So, the *means* of production is key. By using printmaking, Schuitemaker wasn’t just showing inventions, but also using a particular material process that speaks to mass communication and societal progress. Are we to think of that, too, as an invention of sorts? Curator: Precisely! Think of the paper itself – what kind of paper was used, where it was manufactured, and how that availability shaped the accessibility of these images. This allows us to view the content not just as presented information, but as a commodity, affected by broader market factors of the time. Editor: I never thought about it that way. Examining the materials reveals hidden layers of context. Now I'm considering the relationship between the "high art" of the engraving and the very practical subject matter of Dutch inventions it seeks to depict, democratically making images available for the masses. Curator: Indeed. The layering of function, material, and access underscores the social dimensions of both art and technology, urging us to constantly reconsider our assumptions about value and creation. Editor: Right, focusing on materials expands our understanding! Thanks!

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