Karel II, koning van Spanje, rekenpenning geslagen op last van de raad van Financiën 1672

Curator: Okay, let's delve into this intriguing piece. This is a bronze "rekenpenning," or counting medal, created in 1672 to commemorate Karel II, King of Spain. The Rijksmuseum houses this particular example. Editor: It’s smaller than I thought it would be. At first glance, it gives off this somber, weighty feel... all that serious detail pressed into such a small, circular space. Sort of imposing, in a miniature kind of way. Curator: Exactly. Its diminutive size belies its symbolic weight. Issued by the Council of Finance, it's a clear display of power and authority. Notice the equestrian portrait of Karel II – a classical trope asserting his dominion. These medals served not just as currency or counters, but as propaganda, reinforcing the image of the monarch. Editor: Propaganda disguised as pocket change? Clever! The horse looks almost weary, though, or is that just me projecting? There's something slightly off about the proportions too, like it was more about getting the king right than the poor animal. It tells a story about priorities, doesn’t it? Curator: It does indeed. The meticulous attention lavished on Karel's figure – his attire, his posture – speaks volumes about the image they wished to project: strength, legitimacy, divine right. Contextually, this medal appears during a tumultuous period. Understanding the social and political landscape is essential for proper appreciation. Editor: I bet. All that finery while the masses were probably, you know, not wearing crowns and riding fancy horses! Curator: Precisely! Medals like this acted as powerful tools for reinforcing social hierarchies and royal narratives. And on the reverse side, we have his coat of arms and crown, emphasizing lineage and divinely sanctioned rule. The artistry may be miniature, but the message booms large. Editor: It makes you wonder about the hands that held it, the merchants and nobles who touched it and how much power shifted to them at the time. Little circles of history, clinking in pockets. It's quite fascinating when you think about that. Curator: It's fascinating to see how these small objects were deeply entangled in the grand narratives of state and power, embodying so much of what makes Baroque art such a compelling expression of authority and cultural identity. Editor: I'm finding myself strangely drawn to this little metal declaration. I find it's incredible to think that you can read someone's life with these.