The Forest Fire 1505

Piero di Cosimo rendered this arresting scene on wood panel, likely in Florence in the early 16th century, using oil paint. Oil allowed Cosimo to achieve rich, luminous effects, especially in the depiction of the animals, by applying thin layers of pigment, a technique called glazing. The smoothness of the wood support contributes to the enamel-like surface. Look closely, and you can see how the artist built up the forms, subtly layering colours to create a sense of depth and volume. Beyond the refined application, it’s worth considering the social context of this type of artwork. While seemingly fantastical, the scene is rooted in observation of the natural world, and reflects an elite fascination with the countryside. The painting is less about labor and more about ownership and dominion, and the relationship between humans and nature. The skilled craftsmanship elevates the scene, transforming an everyday incident into a moment of high art.