THE FIFTY-THREE STATIONS OF THE TOKAIDO c. 19th century

Editor: This is Utagawa Hiroshige's woodblock print from "The Fifty-Three Stations of the Tokaido." I'm struck by the contrast between the laborers and the more formally dressed figures. What can you tell me about this image? Curator: Notice how the printmaking process itself – the woodblock carving and the application of color – dictated the flatness and linearity of the figures. Hiroshige highlights the physical labor involved in transporting goods, contrasting the bare-chested porters with the more leisurely travelers. Editor: So, it's commenting on class and the realities of travel? Curator: Exactly. The print doesn't just depict a picturesque scene; it reveals the social and economic structures underpinning that journey, the very means of production required for travel and trade. It makes you think about who benefits and who labors. Editor: That’s a really interesting way to look at it, considering the actual labor involved in creating the artwork itself. I'll remember to consider all the workers involved next time.