De leeuw en de mug 1894 - 1959

Editor: So, here we have "De leeuw en de mug," or "The Lion and the Mosquito," made sometime between 1894 and 1959 by Gordinne. It's a pen drawing reproduced as a print on paper. It looks like a comic strip, and the style reminds me a bit of ukiyo-e. What strikes me most is the repetitive, almost manufactured nature of the scenes. How would you approach this work? Curator: Exactly! Let’s consider the printmaking process here. The reproduction facilitates mass distribution, impacting the consumption and perception of the artwork. The use of pen and ink also invites consideration of skill, and the accessibility of such readily-available materials, democratizing artistic production to a certain extent. Editor: So you're focusing on how it was made and how that impacts who sees it? Curator: Precisely! Look closely – each scene replicates and varies a similar pose, raising questions about labor. The comic-like format makes this very clear to us. Were these images destined for magazines or books, reaching wider audiences? Did the artist labor to make these by hand, or use some technique? Editor: That's a great point. The printed format definitely opens up access. I also hadn't really considered the labor aspect until now. Curator: We often overlook that! Examining the materiality reveals crucial social context and considerations of production and distribution often overlooked in favour of focusing on content. Editor: It does make me wonder about the artist’s intended audience. Thanks, I'll definitely be thinking about all of this next time! Curator: Remember that analyzing art isn’t about a single correct reading, but about generating thoughtful questions prompted by material inquiry!