Untitled 2014

Yui Yaegashi's 'Untitled' presents a study in pared-down aesthetics, focusing on line, colour and surface. The work is dominated by vertical stripes in muted greys and whites, framed by a band of vibrant green. The composition is deceptively simple. The vertical lines create a sense of rhythm and movement, reminiscent of Agnes Martin's minimalist grids, yet Yaegashi's looser, more gestural application of paint softens this rigidity. The slight imperfections and variations in the lines introduce an element of the hand-made, contrasting with the machine-like precision often associated with minimalism. This juxtaposition invites contemplation on the relationship between intention and execution. The green border acts as a visual anchor, containing the ethereal quality of the grey stripes. It provides a contrasting visual field that pushes the viewer's eye back into the central composition. Through a balance of colour, line and surface, Yaegashi’s work creates a visual experience that is both calming and engaging. It's a testament to the power of simplicity.