Cushion Cover Possibly 1644 - 1911

Editor: This striking cushion cover, possibly from between 1644 and 1911, is currently held at the Art Institute of Chicago. Woven with an elaborate scene, dragons dance across a yellow textile field. It feels...imperial. What strikes you when you look at this piece? Curator: You've hit on something key there - "imperial" is absolutely the word. That vibrant yellow was a color largely reserved for the Emperor and his court! See how these dragons, meticulously stitched into the fabric, writhe and almost seem to breathe fire? In the hands of the Manchu, textiles like this weren’t merely decorative; they were statements of power and legitimacy. How do you read the placement of these dragons - the distribution of their presences? Editor: They're all different, and the dragons surround the center one, but not guarding it, more like...dancing attendance on it? Does their orientation change their impact for you? Curator: Absolutely. Consider each dragon a brushstroke contributing to a much larger narrative. They are swimming in this sea of lucky motifs and the waves edging the sides of the fabric, with the main dragon in the center holding court. Now, think about its original context. Perhaps gracing a throne or adorning a royal bed. The sheer craftsmanship speaks volumes about the dedication – and resources – poured into its creation. Editor: I hadn’t considered how much the context would change my perspective. It’s not just a pretty cushion, but a symbol, practically radiating authority. Curator: Exactly! Art has the wonderful capacity to hold so many layers; what seems decorative on the surface often whispers fascinating stories about culture, power, and human connection. We can only guess what comfort and awe it inspired! Editor: It makes me see textiles in a new light; they’re not mute after all! There's a symphony playing beneath the surface! Curator: Yes, precisely, they vibrate with meaning, power and secrets! And who doesn't love a good secret?