De terugkeer van Klaasje Zevenster bij haar moeder by Willem de Famars Testas

De terugkeer van Klaasje Zevenster bij haar moeder 1888

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drawing, pencil, pen, charcoal

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portrait

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drawing

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narrative-art

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pencil sketch

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charcoal drawing

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pencil drawing

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pencil

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pen

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portrait drawing

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genre-painting

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charcoal

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portrait art

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realism

Dimensions: height 162 mm, width 220 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is "De terugkeer van Klaasje Zevenster bij haar moeder" – "The Return of Klaasje Zevenster to Her Mother" – a drawing from 1888 by Willem de Famars Testas, made with pencil and charcoal, it looks like. It has this really intimate feel. It seems to be capturing a private, domestic moment. What do you make of it? Curator: Looking at the work through a materialist lens, the most compelling aspects are the textures and details achieved with simple tools, pencil and charcoal, rendering this layered drawing with precision. I see not only an intimate portrayal but also an insight into the socio-economic context through its careful detail: The interior—look at the details in the shoes on the shelf! How does this imagery and the medium used convey, perhaps, a broader story of labor and class in 19th-century Netherlands? Editor: That's interesting. I hadn't thought about the economic context so directly. The details like the shoes now seem to suggest working-class life and a very detailed, manual world, especially given how much time someone had to put in, using fairly accessible tools, to produce this rendering. Curator: Exactly! And consider the labour inherent in producing even those modest shoes that take central place! These drawings aren’t merely representational, they are material artifacts of the time. Editor: So, the value isn't just in what's depicted, but in the choices made about materials and how they reflect the conditions of production? Curator: Precisely. By understanding the physical making, the ‘how’ of it all, we understand the ‘why’ a bit better. How it all conveys the labour class during the time of creation. Editor: I see your point, it does shift the way you perceive the artist's work! I now realize the drawing becomes a record of more than just the domestic, showing as it does a material way of life at the time. Curator: Absolutely. And the artist's decisions are inseparable from this. A drawing like this holds within it evidence of skill and the ability to show the circumstances under which it was created.

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