Studie van een ekster 1852

August Allebé made this study of a magpie with oil on paper. Rather than a highly-finished painting, it is a sketch, rapidly executed in thin layers of paint. Allebé worked in a tradition of tonal painting, using a limited palette to capture subtle variations of light and shadow. Note how the fluidity of the oil paint allows him to suggest the texture of the bird’s feathers with quick, gestural strokes. This way of painting, called ‘alla prima’, was popular at the time. Artists would complete a painting in one sitting, directly from life. But don't be fooled by the apparent spontaneity. The artist's skill lies in their ability to suggest form and depth with such economy of means. The simplicity of materials and process belies the artist's mastery, elevating the humble sketch to a work of art. Ultimately, this piece shows how close observation and deft handling of materials can transform the everyday into something truly special.