Eva Herrmann 1926

Alfred Stieglitz made this photograph of Eva Herrmann, sometime in the early part of the 20th century. Look at the way the light is used, not just to illuminate her face but to model it, like clay. It's not just about capturing a likeness; it's about a process of seeing and shaping. The tones in this photograph are so soft, almost velvety, you can practically feel the texture. Stieglitz coaxes so much from the monochrome palette, it’s like he’s painting with light. Notice the way the light caresses her cheek, creating a sense of depth and volume. It's these subtleties that make it so captivating. Stieglitz’s work reminds me a little of Edward Steichen, who also used photography to push the boundaries of portraiture. Both artists explored the potential of photography, not just as documentation, but as an art form capable of expressing emotion and capturing the human spirit. And just like a painting, this photograph allows for endless readings and interpretations.