Tankard 1670 - 1675

Editor: Here we have a Baroque silver Tankard, created by Hans Jacob Mair around 1670-1675. It’s so intricately detailed; you can really see the story unfolding. The silver practically gleams even in a photograph! What jumps out at you when you look at this? Curator: Well, I immediately consider the material: silver. Who had access to this much silver in the 17th century? And more importantly, what level of skill was required to produce something like this? It blurs the line between craft and art, doesn't it? It was a costly display. Editor: Definitely. So, the value of the piece wasn’t just artistic, but material? Curator: Precisely. The silver itself is a statement about power and resources. The religious scene, probably the Adoration of the Magi, is also carefully chosen. Think about how this imagery would reinforce the owner's beliefs and social standing when displayed. And notice how the artisan has manipulated this precious metal: hammered, engraved, cast; it speaks volumes about labor. Editor: I see what you mean. It’s not just about the image; it's about how it was made and who could afford it. What about the function, though? It is a tankard. Curator: Function matters! It speaks to consumption, doesn’t it? Drinking, feasting… displays of wealth through both material and ritual. Editor: This has made me consider this piece beyond just its aesthetic beauty; I will now think of who created the work and the place the artwork has in its time and social structure. Curator: Exactly. By thinking about its materials and production, we gain so much insight into the values of that society.