Karikatuurportret van Johannes Martinus Vrolijk by Elchanon Verveer

Karikatuurportret van Johannes Martinus Vrolijk 1860 - 1894

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drawing, pencil, graphite

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portrait

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pencil drawn

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drawing

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toned paper

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light pencil work

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caricature

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pencil sketch

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personal sketchbook

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pencil drawing

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ink drawing experimentation

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pen-ink sketch

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pencil

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graphite

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sketchbook drawing

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pencil work

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academic-art

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realism

Dimensions: height 897 mm, width 475 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is a caricature portrait of Johannes Martinus Vrolijk, created sometime between 1860 and 1894 by Elchanon Verveer. It’s a pencil and graphite drawing, currently at the Rijksmuseum. It seems quite light and almost whimsical, given it’s a caricature. What symbolic readings might you draw from this image? Curator: The symbols here are less overt and more about capturing a persona. What we see is not merely a physical depiction, but an interpretation steeped in cultural assumptions. His mustache, the tailored jacket, even the act of touching his face... How might those gestures have been read at the time, and what do they tell us about the man, or about how Verveer *wanted* us to see him? Editor: I guess I hadn’t thought of the image itself as a symbol! It's like reading his character through these chosen details. The fact that it’s a drawing suggests a certain informality too, right? Not a commissioned oil painting. Curator: Precisely! And note the open hand gesture—a subtle indication of Vrolijk’s character? Is it welcoming? Or indicative of someone used to gesturing and explaining? Then there’s the ribbon on his jacket… These details carry cultural weight that would have resonated then. How do those signs shape your reading? Editor: It’s like he’s about to give a speech or make an important point. The open hand makes me think of explaining something with confidence. Now, with the ribbon, maybe it signifies some achievement or recognition. That contrasts interestingly with the exaggeration of the caricature. Curator: Consider how the “realism” in the rendering clashes with the deliberate exaggeration of caricature. It’s a balancing act between idealizing and lampooning, isn’t it? Verveer prompts you to decipher whether this portrait reflects Vrolijk’s social standing *despite* the caricature, or whether that status is questioned by it. Fascinating, how a simple drawing embodies these social tensions, isn't it? Editor: It really is. I came in just seeing a funny drawing, but now it feels like there's so much more to consider about this character.

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