Portret van een meisje met open boek in de hand, zittend aan een tafel by R. & J.W. Brunskill

Portret van een meisje met open boek in de hand, zittend aan een tafel 1860 - 1900

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photography

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portrait

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table

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photography

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historical photography

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19th century

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genre-painting

Dimensions: height 84 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this 19th-century photograph titled "Portret van een meisje met open boek in de hand, zittend aan een tafel" by R. & J.W. Brunskill, I'm immediately struck by its quiet intimacy. The girl's gaze is indirect, and her stillness speaks volumes, don't you think? Editor: It's a melancholic stillness, if you ask me. All greys and browns. The craftsmanship shows through in the framing though. I wonder about the materials – albumen print perhaps, mounted on card? Curator: Almost certainly, considering the period. It evokes the democratization of portraiture at the time, and access for the emerging middle classes to these markers of affluence and status. Editor: That open book really says it all. Think of the labor involved: the papermaking, typesetting, printing, and binding. Who profits from this mass of words? Also, it is quite staged, don't you think? I see the props of the desk, the chair… What's real, and what's being sold here? Curator: That controlled aesthetic definitely echoes Victorian ideals around domesticity and decorum, almost stagecraft as you say. The girl's position is carefully chosen, the light accentuating a sense of quiet diligence, don't you agree? Yet, perhaps within the staging, a private moment flickers through? The suggestion of inner thoughts or feelings which the text is supposedly about? It all evokes her possible dreams! Editor: Maybe. Or maybe the image functions as aspirational marketing for something she may never access or even aspire to become in reality. We, looking back, can almost smell the chemicals. The creation of photography itself became an industry; the exploitation of photographic labor. I just find it important to see the grit beyond the glamour. Curator: An absolutely crucial counterpoint to consider in interpreting the work. In her eyes, who can read the narrative being formed there? Fascinating! Editor: Yes. When viewed through that critical lens, the portrait shifts from a wistful moment into something far more complex and reflective. Thanks for bringing this all to life, to me, at least.

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