Virgin and Child 1490 - 1554

Sebastiano Serlio’s painting, Virgin and Child, captures a tender and complex relationship through the classic art form. Born in Venice, Serlio was an Italian architect, painter and stage designer, who later became part of the Fontainebleau School in France. During the Renaissance, the role of the Virgin Mary in art took on new dimensions, reflecting changing societal views on motherhood, divinity, and the feminine ideal. This piece invites us to consider how artistic representations of motherhood can reinforce or challenge cultural norms. Serlio creates a familiar composition, yet the emotional depth of the piece encourages introspection. The virgin's gaze is soft, but a single tear falls, reminding us of the sorrow that awaits her son. As you reflect on the painting, consider how it navigates the dualities of joy and sorrow, divinity and humanity, and the burdens and blessings of motherhood.