Illuminatie van het huis van P. van Goethem, 1751 by Anonymous

Illuminatie van het huis van P. van Goethem, 1751 1753

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print, engraving, architecture

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baroque

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print

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old engraving style

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cityscape

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engraving

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architecture

Dimensions: height 336 mm, width 240 mm, height 415 mm, width 255 mm

Copyright: Rijks Museum: Open Domain

Curator: This is a 1753 print, an engraving to be precise, titled "Illuminatie van het huis van P. van Goethem, 1751." The artist is unknown, a signature of much print work from this period. Editor: It’s surprisingly captivating, even without color. The intricate details draw me in. The way the light and shadow play on the facade… It gives it a sort of festive, almost theatrical quality. Curator: Precisely. Consider how the engraver employs line and texture. The subtle hatching to create the illusion of brick, and then the sharp, decisive lines that define the baroque ornamentation. It’s all meticulously rendered, drawing the eye upwards. The sunflowers add whimsy, but note how their faces each turn subtly. Editor: Those details certainly catch the eye. I’m particularly interested in what material these ornaments are made from. Is it sculpted plaster? Painted wood? That would heavily influence the overall cost, as well as how long something like that could stay illuminated in the climate of that time period. It's all these layers and craftsmanship working together that's impressive. Curator: It evokes the socio-cultural values of the era, certainly. Think of the symbolic meaning of the swan motif repeated between the first-floor windows. Purity, grace, sophistication. The careful arrangements are hardly casual! The structure is almost a play on perspective. Editor: This engraving certainly gives us insight into the materials, resources, and craft labor employed at the time. Engraving prints would not have been easy and inexpensive; consider the skills that went into something like this and how access to these types of artisan projects was deeply divided along social strata. Curator: A worthy reminder. Through the syntax of its baroque ornamentation, we get a very clear signal about the world it sought to create. What thoughts linger for you, after closer examination? Editor: The entire effect is rather interesting. It forces a certain awe and aspiration—one can just imagine what the lighting at night would have done for it all. And to contemplate all the unseen skilled craft labor to bring this image into existence is profound. Curator: Indeed, a captivating visual record imbued with artifice, structure, and intentional messaging, still accessible even today.

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