Karnac [Karnak]. Nov. 27, 1838. 1846 - 1849

Here is David Roberts' "Karnac" made in 1838. Roberts, a Scottish painter, was part of a wave of European artists who traveled to the Middle East, seeking to capture the perceived exoticism and grandeur of ancient sites. This piece reflects the West's fascination with and appropriation of Egyptian culture during the 19th century. While seemingly a reverent depiction of Karnak's temple, the painting also subtly reinforces a colonial gaze. The inclusion of contemporary figures, dwarfed by the monumental architecture, highlights a narrative of Western discovery and implicitly asserts cultural dominance. Roberts doesn't just present a landscape; he frames a story about the passage of time, the allure of the "Orient," and the position of the European artist as both observer and interpreter. The emotional impact is one of awe tinged with the complex politics of representation and power. The artist's perspective shapes our understanding of history and identity, inviting us to reflect on whose stories are being told and how.