Frau im Bade (Original Title) 1908

Ernst Ludwig Kirchner made this work, "Frau im Bade," with lithographic ink on paper. Look at how the marks are put down—so intuitive and free, almost like a sketch in a notebook. The stark contrast between the black ink and the off-white paper creates a strong visual punch. The texture isn't about smooth blending; it's all about the grit and grain of the lithographic process. I’m drawn to the way the dark lines define the woman’s form, especially how the heavy, almost scribbled marks create depth and shadow in her hair and around the chair. It reminds me that art isn't just about the final image, but about the process of making, the struggle, and the choices made along the way. Kirchner was part of the *Die Brücke* group, and you can see that raw, expressive quality here. Think of Munch's angst-ridden prints—there's a similar emotional intensity in the way Kirchner approaches his subject, alluding to feelings of isolation and introspection through these raw, unfiltered marks. Art is a conversation, and Kirchner is definitely speaking his mind.