Marc-René de Voyer, Marquis de Paulmy and marquis d'Argenson 1711

Editor: This is Claude Duflos’s portrait of Marc-René de Voyer, Marquis de Paulmy, and Marquis d'Argenson. I’m struck by the textural detail, especially in the hair and clothing. What do you see as the most compelling aspects of its formal composition? Curator: The engraving’s success hinges on Duflos’s mastery of line. Observe how varying the density and direction of lines creates tonal depth and a remarkable illusion of three-dimensionality, particularly within the oval frame. Editor: So, the lines create both form and depth? Curator: Precisely. The hatching technique is critical, directing the eye and defining the subject's presence. The symmetry in the heraldic crest at the base also creates a balanced visual structure. Editor: It's fascinating how a flat image can convey such presence through line alone. I’ll definitely pay closer attention to that. Curator: Indeed. Close observation reveals a sophisticated understanding of visual language.