Fotoreproductie van een prent naar een schilderij met een hond en twee jachttrofeeën door Edwin Henry Landseer by Anonymous

Fotoreproductie van een prent naar een schilderij met een hond en twee jachttrofeeën door Edwin Henry Landseer before 1874

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print, photography, gelatin-silver-print

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aged paper

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homemade paper

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animal

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paperlike

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print

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dog

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landscape

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paper texture

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photography

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hand-drawn typeface

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gelatin-silver-print

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thick font

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paper medium

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thin font

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realism

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historical font

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small font

Dimensions: height 116 mm, width 157 mm

Copyright: Rijks Museum: Open Domain

Curator: Oh, hello! Welcome to our gallery. Let’s spend a few minutes examining a photograph titled "Fotoreproductie van een prent naar een schilderij met een hond en twee jachttrofeeën door Edwin Henry Landseer," created before 1874. It's a gelatin-silver print. Editor: Woof. Sorry, but, honestly, the dog looks rather mournful amid the trophies of the hunt. It’s as if the picture sighs. I imagine foggy mornings, the damp chill, the scent of gunpowder clinging to tweed. A sort of somber dignity in defeat, maybe? Curator: Indeed, the pathos is palpable. The composition, though seemingly simple, is quite sophisticated. Notice the arrangement of the game – how their limp forms contrast with the alert posture of the dog. It creates a visual tension that underscores themes of dominance, nature, and mortality. Consider the landscape background, too, enhancing that slightly melancholic air you perceived. Editor: Good eye! I just get this strong sense that even triumph carries a certain weight. Look at how the dog is resting it’s snout. You know the poor pooch has retrieved everything today! It just exudes this really stoic, resigned sort of acceptance... a melancholy. That sort of mood sticks to everything around here. You can almost smell it, you know? I wonder who chose to use a photo instead of a painted depiction? Curator: Interesting. Photography offered a perceived level of realism at the time, while referencing painting. I do like how you mentioned "acceptance," that sentiment connects the subject to broader societal ideas and expectations about domestic animals during the Victorian period, especially sporting dogs. And even today, thinking about our relationship with our pets it raises uncomfortable questions. Editor: Exactly! Curator: So, we see how the image functions on multiple levels, a formal study of composition and a poignant reflection on our relationship with animals and the environment. Thanks for that emotional reading of a hunting picture! Editor: Any time! Glad to point out the sadness that often lingers beneath these images.

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