The Circus Agonalis, now Piazza Navona 1641

Curator: Giacomo Lauro’s print, "The Circus Agonalis, now Piazza Navona," presents a fascinating depiction of the ancient stadium’s form. Editor: The stark lines create a sense of rigid order; it's almost austere. Curator: Lauro’s precise engraving technique emphasizes the architectural layout. Consider the repetitive arches and the central obelisk, a focal point of power and spectacle. Editor: Yes, the architecture becomes a symbol itself. The print reflects the Roman obsession with public life. We see how space was designed to control and impress. Curator: Indeed, and notice the inscription below, a testament to the importance of disseminating this knowledge and shaping public perception. Editor: I find it interesting how the medium of printmaking allowed for the transformation of Rome's image and history. Curator: A striking composition, a testament to Lauro's ability to distill complex history. Editor: It's a reminder that even in a static image, narratives of power and social control are at play.