Mary, Queen of Scots 1796

Thomas Trotter created this engraving of Mary, Queen of Scots during a period of renewed interest in historical figures in the late 18th century. Trotter, working in Britain, was part of a broader cultural moment that often romanticized or dramatized historical narratives. This portrait presents us with a carefully constructed image of Mary. The clothing situates her as a figure of royalty and religious conviction. Yet, it is impossible to separate this image from the circumstances surrounding Mary’s life. The controversies surrounding her claim to the throne, and her eventual execution all contribute to how we see her now. The engraving offers us an opportunity to reflect on how gender and power intersect. Mary's story remains relevant. This image prompts us to consider how women in positions of authority have been, and continue to be, perceived and judged.