Dance Hall Scene c. 1913 - 1914

Editor: This is Nevinson's "Dance Hall Scene." It's hard to pinpoint the date, but the Tate holds it. It's a whirlwind of faces and figures, all angles and jazz-age energy. What strikes you most about this frenetic composition? Curator: Ah, Nevinson! He's channeling pure, unadulterated energy, isn't he? It's as if he bottled the chaotic joy of a dance hall. Notice how he fragments the forms, almost Cubist, yet it’s all movement. Do you feel the rhythm in the brushstrokes? It’s intoxicating. Editor: It is! I see the influence. It's like he wants us to feel the music as much as see the scene. Curator: Precisely! A syncopated symphony on canvas. I always find new details with each viewing, a hidden smile, a fleeting gesture. Editor: That's a great way to put it – a syncopated symphony. I'll definitely remember that. Curator: Wonderful. It makes you want to kick up your heels, doesn’t it?