Frederik, prins der Nederlanden, vijfentwintig jaar grootmeester van de "Grande Loge d'Administration" by Johannes Petrus Schouberg

Frederik, prins der Nederlanden, vijfentwintig jaar grootmeester van de "Grande Loge d'Administration" 1841

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metal, relief, sculpture

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metal

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sculpture

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relief

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sculpture

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history-painting

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academic-art

Dimensions: diameter 5.2 cm, weight 60.17 gr

Copyright: Rijks Museum: Open Domain

Curator: This medal from 1841, created by Johannes Petrus Schouberg, commemorates Frederik, Prince of the Netherlands, marking his 25th year as Grand Master of the Grande Loge d’Administration. It's academic art, history-painting in a minor key. What are your first impressions? Editor: It feels... weighty, not just in a material sense as a metal relief, but in its symbolic presence. There’s a formal gravity in the profile, juxtaposed with the somewhat obscure imagery on the reverse side. Curator: Observe how the artist utilizes a high degree of relief to render Frederik’s bust. The clean lines and precise modeling exemplify Neoclassical ideals, prioritizing clarity and order. This imparts a sense of stoic nobility, consistent with his rank. Editor: Absolutely. And it’s interesting to consider what the laurel wreath and radiating starburst represent. Wreaths often symbolize victory or honor. Considering this work’s context—Freemasonry— the radiant star could represent enlightenment. Curator: Precisely. The careful inscriptions form a semiotic ring around the central images, creating an almost self-contained system. Each element contributing to an overall message of power, stability, and, perhaps, virtuous leadership. Editor: And it isn’t just leadership. Consider the Masonic symbols worked subtly into the design—they imbue the medal with layers of coded meaning recognizable only to those "initiated." Curator: Yes, one could argue that it functions on two levels. A public face for Prince Frederik, but also an affirmation of his status within a closed society. Editor: That contrast is exactly what makes it engaging. It reminds us how public images can still be deeply rooted in hidden networks and arcane beliefs. Curator: Agreed. The medal is not merely an artifact of historical record but also an elegant expression of overlapping socio-political orders. Editor: Indeed, beyond being a piece of skillfully rendered metal, it's a window into the self-presentation and inner workings of elite society.

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