drawing, ink, pen
drawing
comic strip sketch
narrative-art
baroque
pen illustration
figuration
personal sketchbook
ink
idea generation sketch
sketchwork
ink drawing experimentation
thumbnail sketching
sketchbook drawing
pen
genre-painting
storyboard and sketchbook work
sketchbook art
Dimensions: height 304 mm, width 374 mm
Copyright: Rijks Museum: Open Domain
Editor: This ink drawing, "The Funeral of John Law, 1720," looks like something between a political cartoon and a chaotic street scene. There’s a real sense of disorder, of things falling apart. What exactly am I seeing here? Curator: You're observing a sharp commentary on economic inequality and social upheaval following the Mississippi Bubble collapse in 1720s France. What we perceive as disorder reflects the very real anxieties and anger of the populace. Who do you think John Law was, and why is his funeral depicted with such… irreverence? Editor: Well, the title says his name. Maybe a wealthy man whose death is being mocked? I see people falling and acting like fools, so is that how they think about this John Law and his impact? Curator: Precisely. John Law was the Comptroller General of Finances who implemented policies that led to immense speculation and then a devastating crash. Consider how the artist uses satire here. The figures acting foolishly, the reversed body, these visual cues are not just funny, but politically charged. Who do these actions represent, and who ultimately paid the price? Editor: It is a bit unsettling now that I understand the historical context. The lighthearted style clashes with the suffering it portrays, making the critique more pointed, I think. Curator: Yes, the artist critiques not just Law himself but the societal structures that allowed such a bubble to occur. What does this image tell us about who benefited from that system and who was left behind? How might such images influence our current economic discussions? Editor: It really brings home how economic policies affect everyday lives and become deeply political issues. Curator: And how art becomes a powerful medium to voice the concerns and disillusionment of the masses. We are seeing the social history come to life in a single drawing.
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