Verlamde door het dak naar Christus neergelaten by Christoffel van (II) Sichem

Verlamde door het dak naar Christus neergelaten 1629

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print, engraving

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narrative-art

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baroque

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print

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old engraving style

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figuration

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line

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engraving

Dimensions: height 104 mm, width 74 mm

Copyright: Rijks Museum: Open Domain

Curator: The artwork before us is titled "Verlamde door het dak naar Christus neergelaten," or "Paralytic Lowered Through the Roof to Christ," an engraving created in 1629 by Christoffel van Sichem II, and held at the Rijksmuseum. Editor: Whoa, okay, my first impression? Slightly claustrophobic. So much activity crammed into a small, dark room. But look at that incredible focus on the figure being lowered... almost comical, but intensely dramatic, too. Curator: Yes! The Baroque style amplifies the drama. The contrast between light and shadow pulls your eyes directly to that moment of near-divine intervention. The act of lowering this man through the roof—an architectural transgression, mind you—carries profound symbolic weight. It represents extraordinary faith, but also social disruption, a need to literally break barriers to reach salvation. Editor: Totally, that's what gets me. That crude hole in the roof, those makeshift ropes...it screams of desperate improvisation. And that one dude peeking down like "Did they really just do that?!" The sacred and the absurd right next to each other. Van Sichem makes me chuckle as he acknowledges the reality in the sacred space. Curator: Precisely. And think of what "the roof" can symbolize beyond just building materials. The rigid structures of religious authority, perhaps? The societal norms? All being challenged, dismantled for compassion. And as the roof gives way, there is light from beyond... God's eye. Editor: So cool. I’m drawn to how Christ is rendered; present and fully alive in this raw space... he sits as this action takes place, knowing something miraculous is about to unfold. This print definitely shakes up my perception of biblical narrative. Curator: Indeed, this print showcases the Baroque fascination with narrative-art and high drama to engage an audience, inviting questions about how one seeks transcendence in a messy world. Sichem certainly achieves that here! Editor: Well, this engraving serves as a reminder: Faith is not always a polite affair; sometimes, it is literally breaking through your ceiling. Curator: Nicely said. It makes you consider what structures –literal or metaphorical--you might need to dismantle to encounter transformation.

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