Onderjurk van zalmkleurige crêpe de chine met brede stroken Chantilly-kant. by Madame Watrigant

Onderjurk van zalmkleurige crêpe de chine met brede stroken Chantilly-kant. c. 1925 - 1930

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fibre-art, textile

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17_20th-century

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fashion design

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underwear fashion design

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fibre-art

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fashion mockup

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textile

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collage layering style

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fashion and textile design

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wearable design

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clothing photo

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decorative-art

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fashion sketch

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clothing design

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bridal fashion

Dimensions: length 81 cm, width 90 cm

Copyright: Rijks Museum: Open Domain

This underdress in salmon crepe de chine, adorned with wide stripes of Chantilly lace, speaks volumes about hidden meanings. The elaborate lace patterns echo those found in ancient tapestries and mosaics. Think of the delicate, repeating motifs: they stir our collective memory, harkening back to earlier eras of ornamentation and ritual. The symmetry in the lace can be compared to the Tree of Life, a symbol that appears across numerous cultures to represent interconnectedness and growth. But consider the function of the garment. It rests close to the skin, a secret layer. The lace, usually a symbol of status and display, is here partially concealed, a silent language of intimate adornment. This duality, this dance between the visible and the hidden, draws on a complex psychological interplay. It's a nod to the wearer's inner world, where memories and desires intertwine. The Chantilly lace, with its complex visual language, transcends time, linking personal emotion with collective historical memory.

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