Geharnischter Mönch kniet vor einer Weltkugel, ein Engel deutet auf Maria, diese nach Christus 

This drawing at the Städel Museum was made by Cristoforo Roncalli, likely in the late 16th or early 17th century. A monk kneels before a globe, while an angel gestures towards the Virgin Mary and Christ in the upper register. The entire composition is rendered in delicate lines and subtle tonal variations. Notice how the composition is structured in distinct layers, with the earthly realm anchored by the monk and globe, and the heavenly realm populated by divine figures. The artist employs the structural device of gesture to bridge the gap between these realms. Roncalli uses the contrast of light and shadow to create volume and depth, drawing the eye through the tiers. The formal arrangement suggests a semiotic system of signs and symbols, with the globe signifying worldly concerns, and the figures above representing spiritual salvation. The drawing encourages viewers to consider the relationship between earthly existence and divine intervention, inviting constant reflection on the interplay between representation and meaning.