Dimensions: image: 1015 x 695 mm
Copyright: © Nan Goldin, courtesy Matthew Marks Gallery, New York | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This photograph is by Nan Goldin, called "Jimmy Paulette and Tabboo! undressing, NYC" and it's part of the Tate collection. It has a voyeuristic feel, doesn't it? Editor: Absolutely, there's a raw, backstage quality. The flash is harsh, and the materials feel... provisional. That almost sheer top, the raw edge of the skirt. It all speaks to the economics of self-fashioning, doesn't it? Curator: Exactly! It feels so tender, like catching a glimpse of someone becoming themselves. There’s a vulnerability here, in the space between dressing and undressing. A magic in the mundane. Editor: And that mirror! It's not just a reflection; it's a portal to another layer of performance, another set of material conditions shaping identity. Curator: It really captures that sense of community, the shared experience of getting ready, the intimacy of chosen family. I find that quite moving, frankly. Editor: Indeed. It is a testament to how resourcefulness and creativity intersect to create beauty amidst constraint. Curator: Well, it gives you a lot to consider, doesn’t it? Editor: It certainly does. Thanks for pointing it all out.
http://www.tate.org.uk/art/artworks/goldin-jimmy-paulette-and-tabboo-undressing-nyc-p11513
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Nan Goldin describes her photographs as a 'visual diary'. She has stated: 'These are my friends, these are my family, this is myself. There is no separation between me and what I photograph.' The self-portrait Nan one month after being battered was taken to prevent Goldin from forgetting the damage caused by her boyfriend's violence. She applies the same frankness to the lives of her close friends. Goldin is attracted to the glamour of the world of drag-queens and transvestites. In Jimmy Paulette and Taboo! Undressing, NYC 1991, two men are caught in the midst of their gender transformation. Characteristically, this moment of exposure is presented with candour and empathy. Gallery label, August 2004