G. Stephenson, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes by Allen & Ginter

G. Stephenson, printer's sample for the World's Inventors souvenir album (A25) for Allen & Ginter Cigarettes 1888

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print

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portrait

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print

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Curator: This printer’s sample, dating back to 1888, is part of a series titled “World’s Inventors souvenir album” by Allen & Ginter Cigarettes. The work consists of a drawing, reproduced as a print, showcasing the portrait of G. Stephenson. Editor: He's got such kind eyes! There's something a little melancholy about his expression, like he knows more than he’s letting on. Curator: It’s interesting how these small-scale cards acted as both advertising and collectable items, blurring the line between commerce and artistry. The cards were included in cigarette packs, incentivizing customers. Think of the production demands on the print shop at the time to churn these out. Editor: It's easy to forget this was tobacco advertising. And while the subject feels grounded, this could have slipped so easily into propaganda... a real risk with a mass media image. There is also that soft color palette! It’s got a certain antique charm. Reminds me of a slightly faded photograph, tender in a peculiar way. Curator: The stylistic influences point to Japonisme, visible in the composition and overall design aesthetic—something incredibly popular in the West at this time, particularly in commercial print. Editor: A cultural borrowing which feels, somehow, perfectly suited to mass media... I think, anyway. Curator: Considering that it circulated with cigarettes, and in mass, each print shows a piece of technology being brought to bear: a machine reproducing and dispersing images to its eager audience. A commentary on celebrity culture in a way? Editor: Maybe. I’m still struck by that tender expression though. Like a shared confidence between subject and viewer, a conspiratorial mood that defies time. Curator: So we have here, a printed multiple, portraiture in the service of consumerism, with a subtle dialogue occurring between East and West through style. Editor: Which comes across... beautifully, to be fair. And a little bit unsettling, considering how far this image could spread. It is nice to think, at the end of the day, that all it took was an interesting face to carry us this far.

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