Southern Gateway of Ptolomy III by Antonio Beato

Southern Gateway of Ptolomy III c. 19th century

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albumen-print, print, photography, albumen-print, architecture

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albumen-print

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excavation photography

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surveyor photography

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print

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landscape

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ancient-egyptian-art

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historic architecture

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traditional architecture

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photography

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city scape

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ancient-mediterranean

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history-painting

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skyscape

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albumen-print

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architecture

Dimensions: 10 7/16 x 8 3/16 in. (26.51 x 20.8 cm) (image)14 x 11 in. (35.56 x 27.94 cm) (mount)

Copyright: Public Domain

Curator: Immediately striking is the monolithic presence, isn't it? The sheer scale of this albumen print. Editor: It evokes such a sense of enduring power, that ancient gateway set against a hazy sky. I’m looking at "Southern Gateway of Ptolomy III", taken by Antonio Beato around the 19th century. Curator: The architectural solidity anchors the image, but it’s the surface—the detailed hieroglyphs meticulously rendered—that really demands attention. The formal balance achieved is undeniably perfect. The monumentality of the gate contrasts the group of smaller figures to its bottom front in scale alone, which gives a strong statement about time and humanity. Editor: Yes, that cultural weight. Each carving tells a story. It really speaks to Ptolemaic Egypt's attempt to graft its own history into the much deeper history of Egypt. The imagery resonates across centuries, connecting us to those past beliefs and practices. There are figures on horses on a scene in a desert climate that contrasts strongly to figures embedded on this large stone sculpture as we examine closely. Curator: From a structural perspective, note how Beato employs light. It articulates form, creates texture. And see how the negative space of the gate draws your eye in the perfect visual balance? Editor: Absolutely. The image becomes more than just a record; it acts as a symbol for civilization itself, for humanity’s aspirations to permanence. I feel such a sense of longing looking into it from what it suggests. Curator: The sepia tones reinforce that sensation. Notice how it subdues the tones that enhance the structure— it flattens form, creating a timeless depth on the page. Editor: In thinking of all the images I have seen on albumin-print I feel particularly attuned to the fragility of existence as shown through its use of materials. It creates such emotional depth through these tones. Curator: This has certainly changed how I see the relationships between photographic materials, structure, and our sense of time's passage here. Editor: Indeed. Seeing this as an icon of resilience and transience intertwined helps unlock further depths.

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